本周，哈里王子一直在他的家乡英国，他是去参加“不败运动会”十周年庆典活动的，这一运动会也算是跨国性质的，旨在帮助退伍的、特别是受伤与患病的老兵，这几乎是哈里王子保持的仅有的、与英国王室曾经相关的事业之一。
Chinese actress Luo Xinyuan played Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Photo: Courtesy of Luo XinyuanAs China's once-thriving live-action short drama industry looses speed due to the weight of AI-generated content and shrinking investment, a growing number of young actors who once starred in micro-dramas are moving to a different kind of stage: playing roles at cultural tourist attractions.
There, they play martial arts heroes and folk characters for live audiences, finding steadier income and real-time connection with viewers.
"Earning a living with your own hands is nothing to be ashamed of," actress Luo Xinyuan told the Global Times, even as many still hold out hope, waiting for good scripts.
The migration reflects a stark reality. In the first quarter of 2026, AI micro-dramas accounted for more than 95 percent of all micro-dramas released industry-wide, sharply squeezing the space for live-action productions.
By July, pay for leading actors had shrunk by over 50 percent, mid-tier actors by more than 80 percent on average, and daily wages for bottom-rung extras had fallen into double digits, China's CCTV reported.
Luo, a 21-year-old actress, experienced the downturn firsthand. She came to Hengdian, China's largest film and television production base, to shoot short dramas. "When I first arrived, there were many crews preparing in one hotel. Now sometimes there are only one or two, or none," she told the Global Times.
This May, she began playing the role of Huang Rong, a beloved wuxia heroine, at Hengdian World Studios. Her daily routine includes interactive stage competitions, parades and live audience interactions, working nearly 13 hours daily during the peak summer season.
"It's tiring but fulfilling," Luo said. "There are no scripts here. It's more about playing with visitors face to face." The change has eased her anxiety. "When I was filming, I kept worrying about the next job. Now I feel more stable."
Yin Jiaxuan, 25, took a different route. He started his career as a professional character performer at major theme parks, starring in immersive shows based on popular game and film IPs before transitioning to short dramas and online movies in mid-2024.
At the industry's peak, he moved seamlessly between sets.
"One crew wrapped, and the next was already arranged. I'd go straight to makeup the next day and start filming the day after," he said. Now he keeps both identities, taking film roles when they come and returning to scenic spots during holidays.
Yin rejects the stigma that screen acting is the only proper path.
"Screen acting is seen as the professional main road, while street-level performance is treated as amateur work. This invisible prejudice has trapped many performers," he said. Yet the tangible stage offers something the camera cannot.
"Performance comes from life and is higher than life - that is the core of film creation. But now I realize that beyond artistic expression, performance is about building human connections."
Both actors shared that theme park characters must do more than act; they must draw tourists into the scene, delivering emotional value on demand. Visitors come to the scenic spot not just to sightsee, but "to step into a fantasy."
Yin Jiaxuan Photo: Courtesy of Yin JiaxuanScenic areas are reaping the benefits. Media outlets have reported that in Kaifeng's Wansui Mountain Martial Arts City, Central China's Henan Province, tourists who interacted with these characters stayed an average of 2.3 hours longer per day.
Every extra 30 minutes of stay raises the probability of secondary consumption by about 25 percent, according to local data. Revenue jumped from about 80 million yuan ($11.86 million) in 2022 to 1.27 billion yuan in 2025.
While Hengdian World Studios has used characters to boost repeat visits, with annual pass holders returning multiple times "for a specific character."
Cultural scholar Yu Jinlong told the Global Times that the influx of trained actors is upgrading immersive tourism.
"In the past, theme park characters were mostly amateurs doing costume photos. Now professional actors can build complete characters, improvise and connect storylines, turning scenic spots into open-air theaters," he said.
Yu pointed out the uniqueness of China's character boom compared with global immersive entertainment.
"Unlike Western theme parks that rely heavily on mature imported IPs and standardized performances, China's scenic character culture is rooted in local wuxia (martial hero) history and folk customs, encouraging personalized improvisation. Many local scenic spots create hit immersive projects with small investments, forming a unique online-offline communication loop via social media," Yu said.
As China's cultural consumption shifts from sightseeing to participation, Yu said the young actors swapping short drama sets for scenic spots may be shaping a new hybrid career for the country's entertainment workforce.
For Luo, the recognition from visitors is a reward in itself.
"There are tourists who travel from far away just to see my performance. It feels good to be recognized," she said. "Actually, I'm still exploring too. But I think you should do what you love, as long as you have the ability."
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10日早上，苏塞克斯夫妇抵达阿布贾几小时后，便来到乌斯光路学院会见官员和学生，这所学校是由哈里梅根的阿奇韦尔基金会资助的。在这里，哈里发表演讲，讲到心理健康问题，他说，世界各地都存在着心理健康“耻辱”心态，太多人不想谈论它，但实际上，这房间里的每个人，不管是最小的还是最年长的，都有着自己的心理健康状况，承认今天是糟糕的一天没有什么耻辱，比如，当你家里失去亲人而你不知道该向谁求助时—这当然是哈里王子曾经经历过的，他在13岁时便失去母亲戴安娜王妃，但始终强调这件事也似乎并不合理。
对于哈里的这种表现，英国主持人皮尔斯·摩根的评价较为中肯，他说，其实我们每个人都曾失去亲人，这会带来痛苦是一种正常现象，但平常人做的是接受它，而不是像哈里这样将它挂在嘴边，甚至将它变成一种财富。
从照片来看，哈里梅根在尼日利亚的活动还是挺受欢迎的，两人面带笑容，完全是以前作为王室高级成员访问非洲时的样子。有点让人吃惊的是，梅根的长裙是一件露背装，在这样的场合似有不妥。
在2300余条评论中，少有人赞赏这对夫妇。有人指出，乌斯光路学院是尼日利亚最好的学校之一，并不能代表尼日利亚，如果梅根真想了解故乡的真实情况，应该做别的选择，但有网友立即回复说，梅根要过王妃的生活，怎么会去真实的、贫穷的地方呢？表现一下便好。
