作者：石秉丁乙 来源：原创 发布日期：08-20
一 |
尽管在阿莫林成为曼联主帅之后，很多人都觉得约克雷斯会追随恩师步伐，成为曼联锋线的“新答案”，但谁也没有想到，最终这位葡萄牙体育王牌射手的新东家，会是曼联的对手阿森纳。 Hrishikesh Mukherjee started his career in the film world as an editor. He was editor and assistant director to another Bengali great, Bimal Roy, and edited Roy’s films like Do Bigha Zamin (1953), Devdas (1955) and Madhumati (1958). He’s also edited films like Gunga Jumna (1961) and Coolie (1983), among others. Malayalam language films like Chemmeen (1965) and Nellu (1974) have also been edited by him. He branched out as an independent director with the episodic film Musafir (1957). Commercial success followed with films like Anari (1959) and Asli Naqli (1961). But it was with Anupama (1964) which depicted the filial bond between a father and a daughter, that he began to be counted as a director who could successfully marry art and commercial cinema. He went on to make seminal films like Aashirwad (1968), Satyakam (1969), Guddi (1971), Anand (1971), Bawarchi (1972), Abhimaan (1973), Namak Haraam (1973), Mili (1975), Chupke Chupke (1975), Gol Maal (1979), Khubsoorat (1980) and many more. His films were set in middle-class India and were populated with characters who battled emotional crises. The masses were able to relate to his heart-touching stories and characters and that’s why his films are fondly watched even today. Here’s taking a look at some of his best films as a director over the years. In This Article Anupama (1966)Aashirwad (1968)Satyakam (1969)Anand (1971)Guddi (1971)Bawarchi (1972)Namak Haram (1973)Abhimaan (1973)Mili (1975)Chupke Chupke (1975) Khubsoorat (1980)Anupama (1966) Cast: Dharmendra, Sharmila Tagore, Tarun Bose Mohan Sharma (Tarun Bose), a successful businessman, is happily married to Aruna (Surekha Pandit), who unfortunately dies while giving birth to their daughter. Distraught, Mohan Sharma becomes an alcoholic and can’t bear to see his daughter's face. Uma (Sharmila Tagore) is brought up by servants and while she’s beautiful and intelligent, she’s highly introverted and in her heart blames herself for her mother’s death. She begins to love Ashok (Dharmendra) but agrees to marry another man when she learns her father doesn’t like him. Love, however, has changed her and noticing the change, her father finally comes to his senses and lets her lead her own life. Aashirwad (1968) Cast: Ashok Kumar, Sanjeev Kumar, Sumita Sanyal Jogi Thakur (Ashok Kumar) leaves home when he finds out that his wife had ordered the houses of the poor be razed. Later, he kills a man who was trying to rape a girl. He gives himself up and is given a life sentence. Some years later, he’s shown to be friends with the prison doctor (Sanjeev Kumar. He’s happy to learn that his daughter is to be married to the doctor but hides his identity when he comes to know she hates criminals. He’s released on the day of her wedding, and watches it from afar, giving her his final blessings before succumbing to a heart attack. Ashok Kumar was praised for his sublime acting and won both the National Award and the Filmfare Award for his performance. Satyakam (1969) Cast: Dharmendra, Sharmila Tagore The film revolves around Satyapriya (Dharmendra) and his experiments with absolute truth. He fails to save Sharmila Tagore’s character from being raped by his employer and is a fit of guilt, marries her. And this guilt never leaves him but goads him to pursue truth at any cost -- be it the loss of employment, property or even life. Tears fly when Sharmila accepts her dead husband’s harsh way of life and tells her son that he can’t light his father’s pyre as he biologically wasn’t sired by him. Yes, truth has prevailed -- but can the child handle the truth? Anand (1971) Cast: Rajesh Khanna, Amitabh Bachchan Anand was a paean about friendship, about facing life stoically and laughing even at death’s threshold. The film was dedicated to Raj Kapoor and Hrishida allegedly wrote the film as a testimony to his friendship with Kapoor. Rajesh Khanna breezed through the title role of an extroverted cancer patient who faces the terminal stage of his disease with laughter on his face and sees death as another adventure. He lives several lifetimes in his last few months and teaches others, especially his caring doctor Bhaskar Bannerjee aka Babumoshoi, to loosen up and enjoy life more. Bachchan's reserved, restrained performance was the perfect foil to Khanna’s exuberance. The film doesn’t fail to put tear faucets into overdrive with every rerun. Guddi (1971) Cast: Dharmendra, Jaya Bhaduri Though she has acted in Satyajit Ray’s Mahanagar (1963) in a supporting role, Guddi is Jaya Bhaduri’s debut film as far as Hindi cinema is concerned. She played a schoolgirl obsessed with the actor, Dharmendra, in the film. She’s so much into him that she even refuses to marry the man intended for her, saying she can’t love another as she’s totally in love with the actor. Her uncle (Utpal Dutt) meets with Dharmendra and asks her to help out in the situation. The actor has to play out a different role for the girl to realise the difference between the reel and real life. It was a power-packed performance by the youngsters and she came to rule the hearts and minds of the audience as the good girl. Bawarchi (1972) Cast: Rajesh Khanna, Jaya Badhuri, Asrani, A.K. Hangal, Usha Kiran and Durga Khote The film revolves around the dynamics of the dysfunctional Sharma family, comprising Daduji (Harindranath Chattopadhyay), his sons Ramnath Sharma (AK Hangal) and Kashi (Kali Bannerjee), their respective wives Seeta Sharma (Durga Khote) and Shobha Sharma (Usha Kiran), another son Vishwanath Sharma (Asrani), and granddaughters Meeta (Manisha) and Krishna (Jaya Bhaduri). Servants tend to run away from their family every six months because the members are always quarrelling. Raghu (Rajesh Khanna) their latest cook soon starts noticing their quirks and starts placating them one by one, winning their trust in the process. There’s harmony in the house and the brothers start interacting with each other. Raghu turns out to be a Good Samaritan in disguise whose mission in life is to bring peace and happiness to families who are in dire need of it. Namak Haram (1973) Cast: Rajesh Khanna, Rekha, Amitabh Bachchan This film was the beginning of the end of Rajesh Khanna’s reign. He played a man who infiltrates the trade union in order to avenge the humiliation faced by his industrialist pal and then starts respecting the workers’ rights and their fight against the capitalist culture. Well, the best friend’s role was played by Amitabh Bachchan. According to movie lore, Khanna was offered this role first but he declined it as he saw more merit in the role of a suffering martyr. The audience thought otherwise and was more taken in by Bachchan’s brooding persona. Bachchan had another hit the same year, the massive Zanjeer, in which he played the angry young cop to perfection and effectively took over the superstar’s mantle. Abhimaan (1973) Cast: Amitabh Bachchan, Jaya Bachchan, Asrani, Bindu, A.K. Hangal Subir (Amitabh Bachchan) a renowned singer is a darling of the masses and much in demand. Once, while visiting his aunt in a remote village, he listens to Uma (Jaya Bachchan) singing and falls in love with her. They get married and initially, their days pass in blissful serenity. Trouble starts when Subir asks her to take up singing professionally. She reluctantly agrees and soon her popularity soars. She’s more in demand than him and he can’t digest this fact. Differences crop up between them. He leaves her and she suffers a miscarriage. She becomes hugely depressed because of it. The only way out is through music. Amitabh and Jaya complete each other in the film and perhaps have given the finest performance as a pair in the film. Mili (1975) Cast: Amitabh Bachchan, Jaya Bachchan and Ashok Kumar Mili (Jaya Bachchan) has pernicious anaemia, a disease which was considered incurable back then. She’s the apple of everyone’s eye in her building, especially of children, with whom she plays boisterously despite the age difference. A new tenant Shekhar (Amitabh Bachchan) comes to live in their building and their paths cross. Shekhar is a man running from his past and wants to drown his sorrow in alcohol. Once, in a fit of depression, he tries to commit suicide and is saved by Mili and her father (Ashok Kumar). Mili and Shekhar come closer and sort of fall in love with each other. He marries her and takes her to Switzerland in search of a cure. The film ends on an open note. We don’t know what happens further in Mili and Shekhar’s lives and can only hope for a positive outcome. Chupke Chupke (1975) Cast: Dharmendra, Amitabh Bachchan, Sharmila Tagore, Jaya Bachchan The film was a remake of the Bengali film Chhadmabeshi (1971), starring Uttam Kumar and Madhabi Mukherjee. It centred around the prank played by Dr Parimal (Dharmendra), on his brother-in-law Raghav Sharma (Om Prakash). Parimal comes to Mumbai posing as a driver from Allahabad and is instantly hired. Sometimes later, Sulekha (Sharmila Tagore), too lands up at her sister’s place. The growing intimacy between the driver and Sulekha is frowned upon by all. Catastrophe strikes when they elope and Sukumar (Amitabh Bachchan) posing as Parimal, comes to Mumbai. He is made to stay in a mutual friend Prashant’s (Asrani) house and love blossoms between Sukumar and Prashant’s sister-in-law Vasudha (Jaya), leading to further confusion. Khubsoorat (1980) Cast: Rekha, Rakesh Roshan, Ashok Kumar, Dina Pathak and Shashikala When Manju (Rekha) comes to stay for some time with elder sister Anju (Aradhana) after the latter’s marriage, she’s bewildered to find that it resembles an army barrack more and an actual house less. The house is run in clockwork precision by Anju's strict mother-in-law Nirmala Gupta (Dina Pathak). Dwarka Prasad (Ashok Kumar), her husband, likes gardening, youngest Jagan (Ranjit Chowdhry) loves rock music, while the elder sons like to play cards. The middle son Inder (Rakesh Roshan) is studying to be a doctor and starts liking Manju. Everyone follows their hobbies but in secret. Manju brings a revolution of sorts in the house by making sure everyone enjoys themselves in Nirmala’s absence. It so happens that Dwarka Prasad has a heart attack and it’s Manju who saves his life by keeping a sane head at the time of calamity. Rekha was at her finest in the film and carried it on her shoulders.。按照葡萄牙媒体Correio da Manha 的报道，约克雷斯非常喜欢阿森纳给出的条件，并表示自己渴望成为枪手的一员。
约克雷斯值得枪迷兴奋的理由
诚然此前约克雷斯在英超有过一段并不算愉快的经历，而且葡超射手的含金量在英超赛场上确实不是那么高——就比如利物浦的努涅斯——但对于早就想要补强锋线的阿森纳而言，能够抢下目前在欧洲足坛炙手可热的高效射手，哪还有那么多顾虑可言。
二 | 而且如果这位瑞典前锋真能在今夏穿上枪手战袍，枪迷还是有很多值得高兴的理由。
毕竟，约克雷斯真是目前欧洲五大联赛之外最好的前锋。
首先，自然是他的进球数——这也是最明显的。自2023年夏天加盟葡萄牙体育以来，约克雷斯在各项赛事中出场96场，攻入90球。
三 | 而且本赛季这位瑞典攻击手的表现更是令人惊讶，他在46场比赛中攻入了47球，2024/2025赛季的比赛中平均78分钟就能攻入一球。
四 |
无论如何去研究这些数字，它们都是不可思议、不容忽视的。也正如目前执教葡萄牙体育的主帅博尔赫斯所称赞的那样：“约克雷斯就是现象级的球员。
五 | 他拥有一切：技术、质量、力量、冷静。
六 | 平心而论，他总是让人影响深刻。他是葡超有史以来最好的前锋之一。”
其次，约克雷斯和目前阿森纳阵中锋线可选球员相比，有着一个巨大的不同点，他身强体壮，特别耐造！无论是哈弗茨、热苏斯，还是特罗萨德，他们也都有各自的优点，并且能够在比赛中为球队提供足够的助力，但他们的身体素质都不算突出。
相较之下，约克雷斯就如同一头野兽，能够碾压对手，甚至如同牛头人那样施展自己的“战争践踏”。他一个人就能搅乱对手的防线，让对手所有防守球员头疼不已。
七 |
此外，约克雷斯也是一名“一根筋”球员，他的脑子里只有进球，也只想着进球。尽管他也会无私地送出助攻，但“进球”才是他在比赛中的主线任务。
葡萄牙体育中场佩德罗-戈恩卡维斯在去年就曾表示：“约克雷斯会因为自己没有进球而焦虑，他总觉得自己必须要进一个球。”或许因为如此，我们完全能够理解为何约克雷斯会将C罗视为自己的偶像。
约克雷斯能为枪手带来什么
19岁加盟布莱顿的约克雷斯，其实至今都还没有完成英超“初体验”，所以如果今夏重回英超赛场，约克雷斯必然会设法追赶时间的脚步，弥补自己曾经失去的时光。
作为一名融合了现代前锋所需多样性的全能型前锋，身高1.87米的他具备出色的背身拿球能力，并且能在前场逼抢和快速反击中扮演重要角色。他的到来，就是对阿森纳最直接的火力补强。
八 |
近年来，阿森纳九号位怎么选，一直是阿尔特塔最头疼的问题。他曾尝试让热苏斯或者哈弗茨来客串，但两人都存在明显的短板。巴西射手热苏斯的门前表现并不稳定，而哈弗茨仍看起来更适合中场角色。
九 | 相较之下，约克雷斯在本赛季的表现堪称现象级，本赛季46场比赛中贡献47球11次助攻，场均直接参与1.26球，效率远超同联赛其他前锋。而且他的这种高产不仅体现在葡超，在欧冠的稳定输出（如小组赛对阵曼城时的关键进球）也证明了他在高强度比赛中的适应能力。
同时，约克雷斯也是一名极具单兵作战能力的射手。毕竟葡萄牙体育，约克雷斯就经常被要求自己设法创造进攻机会。球场中路向外斜插至左/右侧肋部区域的弧线跑动，也已经成为他最独特的战术标签，以及他最具杀伤力的进攻武器。
比如2024年2月葡萄牙体育击败本菲卡之时，约克雷斯的那粒进球，就很好地体现了他这一特点。
在队友卡塔莫准备传球之际，约克雷斯以弧线跑动的方式进入了本菲卡左后卫身后的开阔空间。
十 |
卡塔莫的外脚背传球精准送到了约克雷斯的跑动路线之上，而约克雷斯也凭借自己的速度，将回追的奥塔门迪甩在了身后。
十一 |
尽管奥塔门迪的防守表现也值得称赞，但约克雷斯在一对一突破方面的表现，更应该得到欢呼——你以为约克雷斯会等待队友的支援？并非如此。
十二 |
约克雷斯直接“野蛮冲撞”，突破了奥塔门迪放的防守，然后争取到了足够的时间切入内线，打近门柱位置破门。
此外，本赛季约克雷斯在葡萄牙体育场均1.8次抢断和1.2次拦截的数据证明，他是一名乐于参与防守的射手。这也意味着他在阿尔特塔的前场压迫策略中，有能力扮演重要角色，并凭借自己“攻防一体”的特质，增强阿森纳在前场反抢的效率，为球队在前场危险区域创造更多的进攻可能。
有什么潜在担忧？
约克雷斯有身体，有速度，也有技术，他能够在前场横冲直撞，让枪迷们忘却热苏斯、哈弗茨和特罗萨德在前场危险区域接球后，被对手“欺负”让出球权的窘境，但我们也应该明白，葡超联赛的强度远不如英超，而且阿森纳在比赛中也很少进行反击，且从没有获得过如同前文案例中展示的那么大的进攻空间。
所以，在更高强度的联赛中，面对对手的纵深防守，约克雷斯还能如同在葡超这般高产吗？他在面对身体更加强悍的英超后卫之时，还能如此灵活地运用自己的身体优势，强横突破吗？如果事与愿违，那么他与哈弗茨之间的优势差距，或许就会缩小了。
其次，约克雷斯的制空能力必须引起重视。
十三 | 尽管他身材高大，但他在本赛季欧冠联赛中的争顶成功率不过31%，而且鲜有头球破门。在最近为葡萄牙体育和瑞典国家队攻入的68球中，只有一粒头球破门。
十四 |
对于阿森纳而言，他们本赛季更多会依赖于传中球到对方禁区来创造破门机会，这对于一名更擅长用脚破门的射手来说，确实不是特别理想的情况。
最后，尽管约克雷斯自2023年7月加盟葡萄牙体育之后，在各项赛事中已送出了26次助攻，但大部分助攻都是依靠他吸引对方防守火力，为队友创造进攻空间后取得的，而不是通过传接球配合“传出来的”——在这个方面，热苏斯和哈弗茨明显会表现得更好。
所以，当约克雷斯穿上阿森纳的战袍，阿尔特塔或许也要进攻策略上进行调整，让更多的球员参与到进攻之中——为了做到这一点，阿森纳的后场球员也必须开始进行更长距离的传球才行。
结语
无论如何，阿森纳能够在今夏签下一名炙手可热的明星射手，总归是会让球迷们欣喜的。虽然约克雷斯的背景会让一些人担忧（此前在布莱顿没有获得英超首秀机会，目前效力于葡超），但他的技术特点与阿尔特塔的战术需求还是有较高匹配度。
诚然英超相较于葡超更高的竞技强度，约克雷斯的年龄瓶颈，以及他适应新环境的能力到底如何，确实是潜在的隐患，但如果阿尔特塔的训练有方，能帮助约克雷斯扬长避短，那么他确实有可能成为阿森纳再夺英超冠军的“最后一块拼图”。
（Armour）。
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